Sculpture
Saints and Prophets, 1995. From the series In the Order of Chaos. Wooden ex-votos and feathers on various bases. Total dimensions variable. Exhibited: 2019 2006 Cruce de Miradas, Visiones de América Latina, Museo del Palacio de Bellas Artes, México D.F. 1998 In the Order of Chaos, Austin Museum of Art, Austin, Texas and Dieu Donné, Papermill Gallery, New York City; 1997 Embodied Abstraction, Americas Society, New York City; 2019 Portadores de sentido. Arte contemporáneo en la Colección Patricia Phelps de Cisneros. Museo Amparo, Puebla. Catalogues: Cruce de Miradas, Visiones de América Latina. Museo del Palacio de Bellas Artes, México D.F. 2006, pp 157 Embodied Abstraction, Americas Society, New York City, 1997, pp 23 Collection Colección Patricia Phelps de Cisneros; Museo de Arte MALI, Perú
The One Who Rests Among Tender Roots, 1999 From the series Traces of Infinity/Trazos del infinito Sprouted wheat, pbc figure, ladder, table, matches, gold leaf and neon 165 x 56 x 54 cm. (64 x 22 x 21 in) Details: Exhibited 2000 Age of Influence: Reflections in the Mirror of American Culture. Museum of Contemporary Art, Chicago 1999 Traces of Infinity/Trazos del Infinito, Galería Ramis Barquet, New York Catalogues Traces of Infinity. Galeria Ramis Barquet, New York; Wave Hill, Bronx, New York, 2000. pp. 10-11
No it is Not That I am Dreaming, 1999 From the series Traces of Infinity/Trazos del infinito Painted wood table with metal tray, wood canoe, pbc figure, branches, water and neon 107 x 153 x 152 cm. (42 x 60 x 59 in) Details: Exhibited 1999 Traces of Infinity/Trazos del Infinito, Galería Ramis Barquet, New York Catalogues Traces of Infinity. Galeria Ramis Barquet, New York; Wave Hill, Bronx, New York, 2000. pp. 20-21
Thought, Word, Deed (and O-Mission), 1999 From the series Traces of Infinity/Trazos del infinito Bibles and New Testaments in many languages, wood, rose branches and gold leaf 137 x 82 x 33 cm (54 x 32.5 x 13 in) Details: Exhibited 1999 Traces of Infinity/Trazos del Infinito, Galería Ramis Barquet, New York City Catalogues Collins, Judy. Sculpture Today, Phaidon Press, UK, 2007. pp 154 Traces of Infinity. Galeria Ramis Barquet, New York City; Wave Hill, Bronx, New York, 2000. pp 20-21
El cuerpo eterno, 1994. Metal madera algodon y fuego 30 x 48 x 21 cm. (11 x 18 x 8 in) Exhibited: 1995 La piel de la tierra. Museo de Arte Moderno, INBA, México, D.F. Catalogues: La piel de la tierra. Museo de Arte Moderno, México, D.F 1995. pp. 8
Flor de río, 1994. madera 30 x 85 x 23 cm. (11 x 33.5 x 9 in) Exhibited: 1995 La piel de la tierra. Museo de Arte Moderno, INBA, México, D.F. Catalogues La piel de la tierra. Museo de Arte Moderno, México, D.F 1995. pp. 20
Fruto a punto de madurar, 1994. From the series La Piel de la Tierra. Wood and gourds. 76 x 30 x 30 cm. Exhibited 1995 La piel de la tierra, Museo de Arte Moderno, México DF, and 1996 InKhan Gallery, New York. Catalogue: La Piel de la Tierra, Museo de Arte Moderno, México, DF 1995. pp. 13
Autorretrato, 1994. Moldede madera para zapato y escobilla. Exhibited: 1995 La piel de la tierra. Museo de Arte Moderno, INBA, México, D.F. Catalogues: La piel de la tierra. Museo de Arte Moderno, México, D.F 1995.
Consuelo, 2006 Linden wood, paint 147.3 x 76.2 x 53.3cm (58x30x21 in) Details: Exhibited 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City Catalogue 2005 Bonds of Love, essays by Lia Gangitano, Chris Kraus and Lisa Jaye Young. Designed by Alfalfa Studio, New York. For the exhibition at John Connelly Presents, New York