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      <image:caption>Photos: Evan Woods and Taylor Staniforth</image:caption>
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      <image:title>The Amazing...Juan García</image:title>
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    <loc>https://www.lauraandersonbarbata.com/work</loc>
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  <url>
    <loc>https://www.lauraandersonbarbata.com/work/installations-m49an</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1623006562998-M7U21FELW1KY5TIFHPEL/8_rutgers+image+sm+copy.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598223041151-FSCWX3Y6GTVD93KEHC4A/image.jpeg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Agua dulce, 1995. Oil stick, graphite, charcoal on rice paper 137 x 68.5 cm (54 x 27 in) Exhibited: 1997 Embodied Abstraction, Americas Society, New York City Catalogue: Embodied Abstraction, essay by Joseph Wolin, Americas Society, New York City, 1997. pp 27</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598562943396-67CZLO5EURERQQGEON97/image.jpeg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Soberano de la naturaleza, 1993. Charcoal and graphite on paper 98 x 208 cm (38.5 x 82 in) Exhibited: 1995 Museo de Arte Moderno, México DF. Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/7eebaf19-04e7-4864-aaa4-4619344112da/File_1308+sm+copy.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Monoprint. From the series: La pile de la tierra. 1994</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d4dbd389-b209-4b91-b446-e9263aaf31e5/El_Sacrificio_del_rey_USCFisherMuseum_sm.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>El Sacrificio del Rey, 1991. From the series: El Sacrificio. Charcoal, pastel, graphite on hand-made paper. Collection: Fischer Art Museum, USC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601151617211-COMVE33Q01EYZ9960LSF/sf1990.57.2.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>The Sacred and the Profane, 1989. 103.2 x 84.1 cm Exhibited: 60 Drawings: Recent Acquisitions, Met Museum. Collection: The Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/8e321501-d2f2-4569-92e1-71a328a295a5/File_1318+sm+copy.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Monoprint. From the series: La pile de la tierra. 1994</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/ca565b65-fac8-4d98-b8ae-d3e5a138a22c/image.jpeg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Cuando la tierra despierta, 1993 Charcoal and graphite on paper 98 x 208 cm (38.5 x 82 in) Details: Exhibited 1995 Museo de Arte Moderno, México D.F.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/701c4cf5-f5b0-4454-96b7-c407b9153531/image.jpeg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Autorretrato/Amazonas, 1995 Oil stick, graphite, charcoal on rice paper 137 x 68.5 cm (54 x 27 in) Detailas: Exhibited 1997 Embodied Abstraction, Americas Society, New York City</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/69001cd9-435b-4ccc-baf9-9f42fc1944ff/image.jpeg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Orígenes, 1988 Charcoal and graphite on paper 100 x 80 cm (39.3 x 31.5) Details: Exhibited 1989 Orígenes, Galería de Arte Rafael Matos, México, D.F. y Galería Ramis Barquet, Monterrey, Nuevo León, México</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/c9930b47-506a-4744-8bd7-9c2022146be9/el+porque+de+las+cosas+1996.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>El por qué de las cosas. 1995. Oil stick, graphite, charcoal on rice paper 137 x 68.5 cm (54 x 27 in) Exhibited: 1997 Embodied Abstraction, Americas Society, New York City Catalogue: Embodied Abstraction, essay by Joseph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e94a39f5-dedb-48fe-8673-7ce3b39a2f9e/los+elementos+que+componen+mi+cuerpo+1996.jpg</image:loc>
      <image:title>Work - Drawings and Prints</image:title>
      <image:caption>Los elementos que componen mi cuerpo, 1996. Oil stick, graphite, charcoal on rice paper 137 x 68.5 cm (54 x 27 in) Exhibited: 1997 Embodied Abstraction, Americas Society, New York City Catalogue: Embodied Abstraction, essay by Joseph</image:caption>
    </image:image>
  </url>
  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/701c4cf5-f5b0-4454-96b7-c407b9153531/image.jpeg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato/Amazonas, 1995 Oil stick, graphite, charcoal on rice paper 137 x 68.5 cm (54 x 27 in) Exhibited: 1997 Embodied Abstraction, Americas Society, New York City</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/f6e82c71-8def-46ac-8c46-f66ee1126916/Untitled-49+copyAutorretratoElPuente_sm.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato (Primera Parte), 1996/2023 Honey wax figure on rattan bridge with ropes and mirrors Figure: 7 7/8 x 3 ½ x 2 ¾ in. Installation dimensions variable Courtesy Museo Universitario Arte Contempráneo, DGAV-UNAM Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/67657598-514c-4ac2-b8c4-5d9771b38d49/E_Autorretrato.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1692134835016-P9G3EKXYFYENT2ZPHKP9/Anderson%2BBarbata%252C%2BAutorretrato%2Bcon%2Bmezcal%252C%2B2012%252C%2Bhandade%2Bpaper%2Bcollages%252C%2Blayered%252C%2B24%2B3-4%2Bx%2B19%2B7-8%2Bin.%252C%2B62.9%2Bx%2B50.5%2Bcm%252C%2BNON%2B63.569_Olympia%2BShannon.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato con mezcal, 2012 handmade paper collages, layered 20 x 14 3/4 inches (50.8 x 37.4 cm) Courtesy Marlborough Gallery, NY Photo: Olympia Shannon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/06c233a4-c709-4072-8aa9-7c20c69944a6/25_he+voyage%2C+self+portrait+1996+copy.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>El viaje (Autorretrato), 1996/2023 carved wood canoe, honey wax figures, corn, and plexiglass atop fresh marigold petals, dried marigold petals, and paper petals, unique canoe: 12 x 56 x 7 3/4 in. / 30.5 x 142.2 x 19.7 cm installation dimensions variable Canoe created in collaboration with the Ortiz Family, Amazon, Venezuela. Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/98d8fece-1a82-4e4d-9b85-dfa937613b4f/B_Autoretrato.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato, 1999 Honey wax, graphite, silk thread, on handmade gampi paper and bamboo 196.85 x 70.87 in. (500 x 180 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/49f3f4a7-33f3-4bd2-afad-d7997a8a6559/self-portrait+2002+%28figure+on+bridge%29.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1692135266334-F7RSNZDJWCGZWU9K2DO8/Anderson%2BBarbata%252C%2BAutorretrato%2Bgerminando%252C%2B2012%252C%2Bhandmade%2Bpaper%2Bcollages%252C%2Blayered%252C%2B26%2B1-8%2Bx%2B19%2B7-8%2Bin.%252C%2B66.4%2Bx%2B50.5%2Bcm%252C%2BNON%2B63.570_Olympia%2BShannon.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato germinando, 2012 handmade paper collage 26 1/8 x 19 7/8 in. (66.4 x 50.5 cm) Courtesy Marlborough Gallery, NY Photo: Olympia Shannon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1692135515281-UUEUOBSBO6L6GCW3COJH/Anderson%2BBarbata%252C%2BAutorretrato%2Ben%2Bdeconstruccion%252C%2B2012%252C%2Bhandmade%2Bpaper%2Bcollages%252C%2Blayered%252C%2B24%2B5-8%2Bx%2B19%2B3-4%2Bin.%252C%2B62.5%2Bx%2B50.2%2Bcm%252C%2BNON%2B63.621_Olympia%2BShannon.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato en deconstrucción, 2012 handmade paper collage 24 5-8 x 19 3-4 in. (62.5 x 50.2 cm) Courtesy Marlborough Gallery, NY Photo: Olympia Shannon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/53f0da73-547a-4cbd-ba96-57c27ead626e/Autorretrato.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Self portrait, 2007 Gampi paper, wax, wire and mechanical bird 5 x 17 x 9 in Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b8f39027-e0e5-4308-bf46-f581f8e45435/Boreal_standing_sm+copy.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Retrato como mi abuela Julieta Culebro, 2006 C-print on aluminum 60 x 40 in. (152.4 x 101.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/16a8caab-e19b-4c09-a68a-2dd2c617d584/Anderson+Barbata%2C+Self-Portrait+%28With+Cochinilla%29%2C+2023%2C+73+1-2+x+39+1-2+in.%2C+186.7+x+100.3+cm%2C+NON+63.534_Olympia+Shannon.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Self Portrait (With Cochinilla), 2023. Silk Jacquard hand dyed with cochineal, turmeric, iron, hibiscus flowers and rose petals with wax, charcoal and graphite. 73.5 x 39.5 in. Photo: Olympia Shannon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/403a99cf-6567-44e5-a2b6-0e126c03b740/Autorretrato%2C+Self-Portrait%2C+1993-9.jpg</image:loc>
      <image:title>Work - Self-Portraits</image:title>
      <image:caption>Autorretrato, 1994/1998 Cromogenic print 101 x 76 cm (39 x 29 inches) Ed. of 3 + 2AP</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/juliapastrana-95bjx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598567762080-SNLIGYKW3WX7IH4MM59O/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Julia y Laura, 2013 Digital print 43 x 57 cm (17 x 22.5 in), Edition of 5 Exhibited: 41 Festival Internacional Cervantino, México; Columbia College Chicago, Center for Book and Paper Arts, Chicago; Museo de Arte Moderno, México DF; Rutgers University; Centro Cultural España, Chile; Newcomb Art Museum, New Orleans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568163588-2ERD2FLXZSBYLSX5WPC1/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598570186950-5R5BUR155M6EMPB9HSB4/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Julia y Lent, 2016. Laura Anderson Barbata in collaboration with Fem Appeal and Divina Gran Sparkle. Photo series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568308841-LA9HZCZXDFFFOTDUC7N0/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Cover and back cover. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598572409642-MBZRPQ60GSJPTWEU1YZK/Performance+Still++copy.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>The Eye of the Beholder, performance work in-progress. Amphibian Stage, Fort Worth, TX (2018). Photo: Alex Vorse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598567406448-DTSMI0E30MQV72LZUC5S/LAnderson+4669+Carta+JPastrana+Bienvenida.JPG</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Julia Pastrana, Bienvenida a casa, 2012. 24 x 18 in. Variation from a series of 11. Handmade paper. Base sheet pink pigmented cotton, pulp painted with black pigmented flax for pulp painting through stencils. Created with Boo Gilder, project assistant at Columbia College Chicago Center for Book and Paper Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568357139-YJHA1JDJA9SA9FKLF1WO/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598572423316-6R5U65BMMFDMPLIMU05Y/photo+Katherine+Freer.JPG</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>The Eye of the Beholder, performance work in-progress. Amphibian Stage, Fort Worth, TX (2018). Photo: Alex Vorse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609797779151-WM9AOWYF3MRETFZM6R7D/JPastrana+l%C3%A1pida+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Rubbing of Julia Pastrana´s tomb headstone. Charcoal on gampi paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568374838-TMO3VRGREE7RCZLG8VO0/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Purgatory, 2016. Zine 3, Ed. 501. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598573420151-ANYSN5PZGPAI9W8L7DDQ/5A6A0125+JP+perf+Loli+Kantor.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>The Eye of the Beholder, performance work in-progress. Amphibian Stage, Fort Worth, TX (2018). Photo: Loli Kantor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568537581-LFNN7I658OMK66DKLL29/JP+cover+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Cover. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598573619506-UKFSX20NR04A81LLRMHC/5A6A0145+JP+perf+Loli+Kantor.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>The Eye of the Beholder, performance work in-progress. Amphibian Stage, Fort Worth, TX (2018). Photo: Loli Kantor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568548673-YOJADRSWYJRXAHYL10S4/40tipos+nueva+final.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Interior page. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598572359332-6KXQ1CN0JMTYSANX8REJ/4_DSC_0274+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>The Eye of the Beholder, performance work in-progress. In collaboration with Fem Appeal. The Cobra Club, Brooklyn (2016). Photo: Alix Milne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568569189-H9GMSACJO8PFA70ZIY9R/encabezados+2.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Interior double page spread. Created in collaboration with Erik Tlaseca and Jesús Fajardo. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598572392399-OT2AUZL800PQXBYCV1RS/5_DSC_0313.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Fem Appeal in The Eye of the Beholder, performance work in-progress. The Cobra Club, Brooklyn (2016). Photo: Alix Milne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568622702-3Q9UEP5OSYKDJ1WW2U8M/JP+zine+2+bibliografia.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Bibliography, interior double page spread. Created in collaboration with Erik Tlaseca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568662046-1FXZFNSDBRFKJ5CKCY1C/JP+Zine+2+collage+libros+quotes+02.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598569225509-E9W7FFU0DBH86PSJR61T/portada_contra_color.jpg</image:loc>
      <image:title>Work - Julia Pastrana</image:title>
      <image:caption>Purgatory, 2016. Zine 3, Ed. 501. Cover and back cover. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/intervention-indigo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599508792035-GQRII36OOZYPFEOZB0CH/20151019_INDIGOPROYET_CHRISWALKER1755_v1.jpeg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf. Portayed by Chris Walker. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509265947-EUUCR8V9C8BN3NYUV05P/20150913_IndigioIntervention-NK_027.jpeg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Indigo King (Najja Codrington), Little Jaguar (Laura Anderson Barbata). Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599513334028-WX19YWD1HMOZVDOXBV5L/UNADJUSTEDNONRAW_thumb_dc.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf (Chris Walker). Intervención: índigo CDMX, 2020. Photo: Diana Torres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609705152838-6ISMGGRCLJTD8VNTCZRV/13+Indigo+Queen+in+studio+copy.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Intervention: Indigo. Studio installation view. Indigo Queen (center). Photo: Dora Somosi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599508778321-LRNS49GPQNQN19DNMZKA/20150823_IndigoProject_StudioSession_0944-cropped4x5.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Indigo Queen. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509067141-81CTMRE5E5FCC51BTWZS/20150913_IndigioIntervention-NK_162.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf (Chris Walker) and collaborators. Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599515699199-3XCCND67W3RJ0NQWE59T/IMG_4026-1.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf (Chris Walker), Pequeño jaguar (Laura Anderson Barbata). Intervención: índigo CDMX, 2020. Foto: Jocabeth Daza</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609705088592-BTWFJ5LCYHZX0FML886U/*06012016Bric-LauraBarbata0046_resized.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Intervention: Indigo. Studio installation view. Rolling Calf (center). Photo: Dora Somosi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599508729720-9B19E79HVOXZK834USYJ/20150823_IndigoProject_StudioSession_0083_Cropped_4x5.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Indigo King. Portayed by Najja Codrington. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509071784-6CXC34LX3CU4OVJF41T4/20150913_IndigioIntervention-NK_205.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Diablos (Interpreted by Jarana Beat). Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599511852401-VM2J95DI1WKJGU84RLFB/DSC_0449-1.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Pequeño Jaguar (Laura Anderson Barbata), Rolling Calf (Chris Walker), Los Diablos Los Rebeldes de el Capricho. Intervención: índigo CDMX, 2020. Foto: Job Juarez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707463596-2Z7WE6CHKKUFJDTFJTP6/07_BRIC9-8-169277_Material+Cultures+by+Jason+Wyche.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Installation view. BRIC, 2016. Exhibition: Material Cultures</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599508768511-XCU4AWV6GE0HQOENTNOK/20150823_IndigoProject_StudioSession_0416.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Diablos. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509076551-MWIC5O0UGYDOJ6YVXAUB/20150913_IndigioIntervention-NK_389.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf (Chris Walker). Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599511946347-UVWR4957NFQSPMOVM95L/_D9A6288-1.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Intervención: índigo CDMX, 2020. Photo: Erik Tlaseca</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707671305-2MCVCSJHTE4LF8OJPXHE/5M4A9281_Fotor.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Mad Bull. Museo Textil de Oaxaca, 2018-2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509082512-NPX9LP24MVY5GV3Y7FZQ/20150913_IndigioIntervention-NK_414.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599511416377-Z0WY1SS4V9IH4NS7P9BI/DSC_0650-1.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Diablos Los Rebeldes de el Capricho, Reina Indigo (Melissa Castro, Danza UNAM) Olokun (Elizabeth Ross), Indigo Jumbies (Teatro Pro-Alterne). Intervención: índigo CDMX, 2020. Photo: Job Juárez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707682100-O4V9MORGQ5R3GC7KNHL0/5M4A9289_Fotor.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. From left to right: Little Jaguar, Mad Bull and Indigo Queen. Museo Textil de Oaxaca, 2018-2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509087543-DS7XRVIJWYX7BMW6XQLC/20150913_IndigioIntervention-NK_1195.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Little Jaguar (Laura Anderson Barbata) and Diablos (Jarana Beat). Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599512913300-7PV2BTOTI5Y34AHKO1QP/UNADJUSTEDNONRAW_thumb_8f.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Diablos Los Rebeldes de el Capricho, Indigo Angel (Karina Ballesteros de Pro-Alterne Teatro). Intervención: índigo CDMX, 2020. Photo: Diana Torres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707698438-ELAE7WYZC8TXVCU36D4E/5M4A9295_Fotor.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Diablos and Jumbies. Museo Textil de Oaxaca, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509126814-IF33WAUIQCXLF5SXG8Q6/20150913_IndigioIntervention-NK_1417.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Diablos (Sinuhe Padilla). Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599514648896-A44E6C99BADK3QEA9IP7/3046D333-AA67-4329-B3FD-F245EB6B397E.jpeg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Toro loco (Luis Betancourt, Danza UNAM). Intervención: índigo CDMX, 2020. Photo: Erick Robles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707694309-LIA6TS92I2FX9LWZRH62/5M4A9303_Fotor.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Rolling Calf (right). Museo Textil de Oaxaca, 2018-2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509133115-M0GDAJ6RQM6NMADB81MZ/20150913_IndigioIntervention-NK_1613.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf (Chris Walker) and collaborators. Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599515414377-5O5H4C5TERH4YBX7BD2T/1E2B6F43-4634-4184-AB58-9F5847B4E222.jpeg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Toro loco (Luis Betancourt, Danza UNAM) y Poli Granadero (Peyrak Herrera de Teatro Pro-Alterne). Intervención: índigo CDMX, 2020. Photo: Erick Robles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707407116-D6T0FDTWJHS3J1LPSS0H/03_f8f4c3_9f88c03c8db64e4c88d86ea0156465ab%7Emv2_d_3000_2248_s_2.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Muca Roma, Mexico City, 2019-2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599509512771-CBRL23GOGFPX0RT01KYG/Intervencion+Indigo+fotos+performance_Page_07.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Rolling Calf (Chris Walker) and the Brooklyn Jumbies. Intervention: Indigo, Bushwick, 2015. Photo: Rene Cervantes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599513247168-LSBWJTQMV240MS83JCFL/UNADJUSTEDNONRAW_thumb_a6.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Pequeño jaguar (Laura Anderson Barbata), Reina Indigo (Melissa Castro, Danza UNAM). Intervención: índigo CDMX, 2020. Photo: Diana Torres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707153568-L24RLU54ME1H9NPV3HC1/IMG_20191106_101649.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Muca Roma, Mexico City, 2019-2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599513271775-I230AFSVI81ZVS93LYKW/UNADJUSTEDNONRAW_thumb_a8.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Intervención: índigo CDMX, 2020. Photo: Diana Torres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707251999-LTA0CNBW44I7N0RDAL58/_MG_5057.JPG</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Muca Roma, Mexico City, 2019-2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599513281072-IFYGN2VETUMZLJYSMHQ9/UNADJUSTEDNONRAW_thumb_ac.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Diablos Los Rebeldes de el Capricho. Intervención: índigo CDMX, 2020. Photo: Diana Torres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609707448993-7R4P36T54OWXMF3RUKIF/06_f8f4c3_48a07d0b7ca24242b0ff27e1d134c3fa%7Emv2_d_2250_3000_s_2.jpg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Exhibition view. Muca Roma, Mexico City, 2019-2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599515012799-A2MKMUE2WL7VXAKN196U/3749BF45-FB8F-45FD-A4C5-9D49029474C2.jpeg</image:loc>
      <image:title>Work - Intervention: Indigo</image:title>
      <image:caption>Olokun (Elizabeth Ross), Poli Granadero y Indigo Angel (Peyrak Herrera y Karina Ballesteros de Pro-Alterne Teatro). Intervención: índigo CDMX, 2020. Photo: Erick Robles</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/intervention-raphaelred-lldhh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e8ce5264-259e-4be9-bf95-9f48612b9051/raphael_red_Najja_7-25-17_2297-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Raphael Red King. Portrayed by Najja Codrington. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/9b74eb0b-35e1-4525-a343-02100435c645/P1110132+copy.sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2019. Laura Anderson Barbata in collaboration with the Brooklyn Jumbies for Carrie Mae Weems´ The Future Is Now during REACH Opening Festival, Kennedy Center Washington D.C. Photo: Donald Shriber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/49a699a8-aa86-4417-943c-24c1ebfda36d/raphael_red_laura_anderson_barata_brooklyn_jumbies_7-25-17_2768-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Raphael Red Prince 3. Portrayed by Najja Codrington. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/20234d85-f9f1-4316-ace4-622be0dfc069/P1110171.sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2019. Laura Anderson Barbata for Carrie Mae Weems´ The Future Is Now during REACH Opening Festival, Kennedy Center Washington D.C. Photo: Donald Shriber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/409a1deb-cf60-4d80-8065-521314361912/raphael_red_laura_anderson_barbata_brooklyn_jumbies_studio-2385-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Raphael Red Prince 2. Portrayed by Jabari Rollocks. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/bca70725-5e0c-4086-bcb4-ddd7312e361e/P1110222.sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2019. The Brooklyn Jumbies for Carrie Mae Weems´ The Future Is Now during REACH Opening Festival, Kennedy Center Washington D.C. Photo: Donald Shriber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1cffc6ba-5aa9-4990-bc27-c6b5278cf912/raphael_red_laura_anderson_barbata_brooklyn_jumbies_studio-2243-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Raphael Red Prince 1. Portrayed by Khyle Lambert. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/7e032268-6fa1-40d0-b084-7e6fc0410128/P1110258+copy.sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2019. Laura Anderson Barbata in collaboration with the Brooklyn Jumbies for Carrie Mae Weems´ The Future Is Now during REACH Opening Festival, Kennedy Center Washington D.C. Photo: Donald Shriber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/2b36617d-f187-4bb0-9559-f09aa726bf4c/2021-08-07+16.22.30.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. In collaboration with Chief Shaka Zulu, Naimah Zulu, Sarauniya Zulu and Kameron Bryant for Carrie Mae Weems´ CROSSROADS. The Watermill Center Summer Festival. Photo: Michaela Lind</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/a0d9858b-f970-4353-bf43-0cd369bf01cd/2021-08-07+17.30.40.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. In collaboration with Chief Shaka Zulu, Naimah Zulu, Sarauniya Zulu and Kameron Bryant for Carrie Mae Weems´ CROSSROADS. The Watermill Center Summer Festival. Photo: Michaela Lind</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/8f037afe-0d9b-48fb-8fd5-c258cc785ba5/raphael_red_laura_anderson_barbata_jumbies_redhook_6-5-21_proof__FV_9978-frank_veronsky_sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Red Hook, Brooklyn. In collaboration with the Brooklyn Jumbies. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/8e59953c-bae5-48e6-8c92-28baf67d2cf9/raphael_red_laura_anderson_barbata_jumbies_redhook_6-5-21_proof__FV_9753-frank_veronsky_sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Red Hook, Brooklyn. In collaboration with the Brooklyn Jumbies. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5cf46d35-0a86-4d6f-8ebc-d960cf6db7e8/raphael_red_laura_anderson_barbata_jumbies_redhook_proofs3_6-5-2_0277-frank_veronsky_sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Red Hook, Brooklyn. In collaboration with the Brooklyn Jumbies. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/f8783dae-f16d-4c46-bd17-af643cfdaafd/raphael_red_laura_anderson_barbata_jumbies_redhook_6-5-21_proof__FV_9916-frank_veronsky_sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Red Hook, Brooklyn. In collaboration with the Brooklyn Jumbies and Cornelio Joseph musicians. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d65b9d9b-285b-42cc-bd6e-d937a551f208/raphael_red_laura_anderson_barbata_brooklyn_jumbies_2613-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>The Brooklyn Jumbies, Laura Anderson Barbata and Diego Barbata. Intervention: Raphael Red, walk-through Bushwick, 2016. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/da65898a-ea13-4f4e-8c15-6384f1a9d945/Laura_Anderson_Barbata_Oct_21__0683+sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Manhattan. In collaboration with the Brooklyn Jumbies and Michaela Lind. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/0eafe0c9-5d08-4a4e-a8f2-c9d5ced4a12f/Laura_Anderson_Barbata_Oct_21__1394+sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Manhattan. In collaboration with the Brooklyn Jumbies and Michaela Lind. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/afca8ad7-a1bc-45a2-90f4-834b4994a551/raphael_red_laura_anderson_barbata_brooklyn_jumbies_2419-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>The Brooklyn Jumbies, Laura Anderson Barbata and Diego Barbata. Intervention: Raphael Red, walk-through Bushwick, 2016. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/f41ef0d5-7277-43ac-bb62-7ab5b1368da4/Laura_Anderson_Barbata_Oct_21__0902+sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Manhattan. In collaboration with the Brooklyn Jumbies and Michaela Lind. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/55d30726-7c12-487d-9f8f-8e9df01a954c/raphael_red_brooklyn_jumbies_7-25-17_2522-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>The Brooklyn Jumbies. Intervention: Raphael Red, walk-through Bushwick, 2016. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/92177e06-5694-4de3-878c-2a3d544fa991/Laura_Anderson_Barbata_Oct_21__1835+sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Manhattan. In collaboration with the Brooklyn Jumbies and Michaela Lind. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d02cf3b6-6a8e-4aae-98dd-5a16b6ab5052/Laura_Anderson_Barbata_Oct_21__1888+sm.jpg</image:loc>
      <image:title>Work - Intervention: Raphael Red</image:title>
      <image:caption>Intervention: Red, 2021. Manhattan. In collaboration with the Brooklyn Jumbies and Michaela Lind. Photo: Stefan Falke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/intervention-oceanblues-l44tp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599525967721-GUAMS6M5BQ0IGPLY8GH2/Intervention-OceanBlues_NLE_SJR+Photography+2018-1.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>Olokun. Portrayed by Cheikh Gueye. Intervention: Ocean Blues, DUMBO, 2018. Photo: Shannel Resto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609854409359-IEVUXDYTP7TDI3TE3SPW/Olokun+IOB+web.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>Olokun. Portrayed by Cheij Gueye. Intervention: Ocean Blues, 2018. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599522991450-GJ0TECLQMVSEH57K9JEW/ocean_blues_laura_anderson_barbata_7_15_18_3705-frankveronsky-1.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>Sea Weed. Portrayed by Mei Yamanaka. Intervention: Ocean Blues, 2018. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599525780988-4CUW2NTOVK4NCIMPFU8L/Intervention-OceanBlues_NLE_SJR+Photography+2018-42-1.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>Olokun. Portrayed by Cheikh Gueye. Intervention: Ocean Blues, DUMBO, 2018. Photo: Shannel Resto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599526821283-9ICHMOJQTE9ZPO2K33YE/Intervention-OceanBlues_NLE_SJR+Photography+2018-60-1.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>The Brooklyn Jumbies and ground dancers. Intervention: Ocean Blues, DUMBO, 2018. Photo: Shannel Resto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599526342639-O5PLSMQREIBPPLZXZ6Z3/Intervention-OceanBlues_NLE_SJR+Photography+2018-67-1.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>Coral Queen. Portrayed by Jahde Huntley. Intervention: Ocean Blues, DUMBO, 2018. Photo: Shannel Resto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599526718806-3EM80OEAR9NO0N02ETHK/Intervention-OceanBlues_NLE_SJR+Photography+2018-78-1.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>The Brooklyn Jumbies and ground dancers. Intervention: Ocean Blues, DUMBO, 2018. Photo: Shannel Resto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1599527265342-3BC30L00ZBBRJ8IUECA9/Intervention-OceanBlues_NLE_SJR+Photography+2018-75.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>The Brooklyn Jumbies and ground dancers. Intervention: Ocean Blues, DUMBO, 2018. Photo: Shannel Resto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609854452776-3FU38T259J08E3OZI94N/Najja+IOB+web.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>King Coral. Portrayed by Najja Codrington. Intervention: Ocean Blues, 2018. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1609854459038-EAO1XZJDFYUHW3W4IEAH/Naj+Sinophore+IOB+web.jpg</image:loc>
      <image:title>Work - Intervention: Ocean Blues</image:title>
      <image:caption>Siphonophore King. Portrayed by Najja Codrington. Intervention: Ocean Blues, 2018. Photo: Frank Veronsky</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/seafaring-fkzp3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066782565-WA3RFW0LOR4VUOLFEJ9H/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Familia Victoriano, 2011 Digital print 65 x 66 cm (25.5 x 26 in), Portfolio Ed. 3 Exhibited: 2013 Mujeres detrás de la lente. Exposición itinerante. México 2013 Segundo Concurso de Fotografía Contemporánea de México. Photography Award, Fundación Mexicana de Cine y Artes, A.C., México (Recipient of Acquisition Award) Collection: Fundación Mexicana de Cine y Artes, A.C., México Catalogues: Mujeres detrás de la lente. 100 años de creación fotográfica en México 1910-2010. Emma García de Krinsky. Conaculta, México.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066677520-XPVZFSBFX39CVQGRDNIG/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Julia y Laura, 2013 Digital print 43 x 57 cm (17 x 22.5 in), Edition of 5 Exhibited 2013 El regreso de Julia Pastrana. Solo Exhibition. Museo Iconográfico del Quijote. 41 Festival Internacional Cervantino, Guanajuato, México. 2014 Social Paper. Hand Papermaking In The Context of Socially Engaged Art. Columbia College Chicago, Center for Book and Paper Arts, Chicago 2015 Museo de Arte Moderno, CDMX 2017 Solo Exhibition. Rutgers University 2021 Solo Exhibition. Newcomb Museum of Art Collections: Museo de Arte Moderno, México, D.F.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610065743504-97KPX302IWROE6RGLT84/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>En el orden del caos/In The Order of Chaos, 1996 Cromogenic print 76 x 101 cm (30 x 40 in) Edition of 3 Collections: Landesbank Baden-Württemberg Collection. Stuttgart, Germany and private collections Exhibited: 1998 Austin Museum of Art, Austin, Texas and Dieu Donné, Papermill Gallery, New York City 2001 Landesbank Baden-Württemberg Gallery, Stuttgart and Peter Herrmann Gallery, Berlin 2010 Among Tender Roots: Laura Anderson Barbata, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL. Catalogues: Terra Incognita, Ex-Teresa Arte Actual México, D.F. and Ramis Barquet Gallery, New York 2002, pp 38 Paradise Lost? Aspects of Landscape in Latin American Art, Lowe Art Museum, University of Miami, Coral Gables, Florida, 2003, pp 111</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066370976-ZVV1WSMEFF8I5JGGD4QF/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Consuelo, 2004 Lenticular print, 24 layers mounted on aluminum Edition of 5 image created with Rafael Esquer 65 x 100 cm (25.59 x 39.37 in) Exhibited: 2002 Ramis Barquet Gallery, New York 2005 John Connelly Presents, New York City Catalogues: Terra Incognita. Ex-Teresa Arte Actual México, DF and Ramis Barquet Gallery, New York, 2002. pp. 64-65 Bonds of Love. John Connelly Presents, New York. 2005. pp. 026-027</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066540576-7KFYQGWGLBEF0S8PTZNB/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Gloria, 2006 Lenticular digital print, 24 layers mounted on aluminum 182 x 106 cm (42 x 72 in) Edition of 3 Collections: Gloria, 2006. Museo Jaureguía, Navarra, España Exhibited: 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City Catalogues: 2005 Bonds of Love, essays by Lia Gangitano, Chris Kraus and Lisa Jaye Young. Designed by Alfalfa Studio, New York. For the exhibition at John Connelly Presents, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066592114-D6A4OK09A0ZN312AT4Z1/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Virgen en el turibus, 2006-2020 Digital print on fujiflex 50 x 66 cm (20 x 26 in), Edition of 1 Exhibited: 2020 Manos por México, N.L. México</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066412821-COD0Z1ACADIOY0EGEPL6/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Consuelo, 2004 Chromogenic print, Edition of 5 152.4 x 203.2 cm (60 x 80 in) Exhibited: 2002 Ramis Barquet Gallery, New York Catalogues: Terra Incognita. Ex-Teresa Arte Actual México, DF and Ramis Barquet Gallery, New York 2002. pp. 66-67</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610066305129-LCXE2O8TMT5PYIHE2NRW/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Temporal Displacement/Desplazamiento Temporal, 1999 Double sided mirror interruption in path of delphinium petals and paper Installation view. Wave Hill, Bronx, New York Photographic portfolio created with Stefan Hagen Collections: Sprint Nextel Collection, Overland Park, MO Exhibited: 1999 Wave Hill, Bronx, New York Catalogues: Traces of Infinity", essay by Cecilia Fajardo, translation: Rowena Hill; Galeria Ramis F. Barquet, New York; Wave Hill, Bronx, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610065897822-9AMEED8BX9F5BTUMV004/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Autorretrato, 1997 Cromogenic print 101 x 76 cm (39 x 29 inches) Ed. of 3 + 2AP Collections: Landesbank Baden-Württemberg Collection. Stuttgart, Germany and private collections Exhibited 1998 Austin Museum of Art, Austin, Texas and Dieu Donné, Papermill Gallery, New York City 2001 Landesbank Baden-Württemberg Gallery, Stuttgart and Peter Herrmann Gallery, Berlin 2010 Among Tender Roots: Laura Anderson Barbata, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL. Catalogues: Terra Incognita, Ex-Teresa Arte Actual México, D.F. and Ramis Barquet Gallery, New York 2002, pp 38 Paradise Lost? Aspects of Landscape in Latin American Art, Lowe Art Museum, University of Miami, Coral Gables, Florida, 2003, pp 111</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1610065949061-WZJDMP8A33ZZAGJPPPHE/image.jpeg</image:loc>
      <image:title>Work - Photography</image:title>
      <image:caption>Traces of Infinity / Trazos del Infinito II, 1999 Path of blue delphinium petals and paper Installation view. Wave Hill, Bronx, New York Photographic portfolio created with Stefan Hagen Collections: Sprint Nextel Collection, Overland Park, MO Exhibited: 1999 Wave Hill, Bronx, New York Catalogues: “Traces of Infinity", essay by Cecilia Fajardo, translation: Rowena Hill; Galeria Ramis F. Barquet, New York; Wave Hill, Bronx, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598214720307-XRY0PKFS47OWPQXY3G8A/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>Saints and Prophets, 1995. From the series In the Order of Chaos. Wooden ex-votos and feathers on various bases. Total dimensions variable. Exhibited: 2019 2006 Cruce de Miradas, Visiones de América Latina, Museo del Palacio de Bellas Artes, México D.F. 1998 In the Order of Chaos, Austin Museum of Art, Austin, Texas and Dieu Donné, Papermill Gallery, New York City; 1997 Embodied Abstraction, Americas Society, New York City; 2019 Portadores de sentido. Arte contemporáneo en la Colección Patricia Phelps de Cisneros. Museo Amparo, Puebla. Catalogues: Cruce de Miradas, Visiones de América Latina. Museo del Palacio de Bellas Artes, México D.F. 2006, pp 157 Embodied Abstraction, Americas Society, New York City, 1997, pp 23 Collection Colección Patricia Phelps de Cisneros; Museo de Arte MALI, Perú</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/777dd37d-072b-4081-aefb-b7415ee6c693/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>The One Who Rests Among Tender Roots, 1999 From the series Traces of Infinity/Trazos del infinito Sprouted wheat, pbc figure, ladder, table, matches, gold leaf and neon 165 x 56 x 54 cm. (64 x 22 x 21 in) Details: Exhibited 2000 Age of Influence: Reflections in the Mirror of American Culture. Museum of Contemporary Art, Chicago 1999 Traces of Infinity/Trazos del Infinito, Galería Ramis Barquet, New York Catalogues Traces of Infinity. Galeria Ramis Barquet, New York; Wave Hill, Bronx, New York, 2000. pp. 10-11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/f9f170b7-25c6-4a93-947b-60ebc108fbc9/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>No it is Not That I am Dreaming, 1999 From the series Traces of Infinity/Trazos del infinito Painted wood table with metal tray, wood canoe, pbc figure, branches, water and neon 107 x 153 x 152 cm. (42 x 60 x 59 in) Details: Exhibited 1999 Traces of Infinity/Trazos del Infinito, Galería Ramis Barquet, New York Catalogues Traces of Infinity. Galeria Ramis Barquet, New York; Wave Hill, Bronx, New York, 2000. pp. 20-21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/f22f63f5-86ea-4d4d-b975-74b67c5ebe49/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>Thought, Word, Deed (and O-Mission), 1999 From the series Traces of Infinity/Trazos del infinito Bibles and New Testaments in many languages, wood, rose branches and gold leaf 137 x 82 x 33 cm (54 x 32.5 x 13 in) Details: Exhibited 1999 Traces of Infinity/Trazos del Infinito, Galería Ramis Barquet, New York City Catalogues Collins, Judy. Sculpture Today, Phaidon Press, UK, 2007. pp 154 Traces of Infinity. Galeria Ramis Barquet, New York City; Wave Hill, Bronx, New York, 2000. pp 20-21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598214152463-Y3HD0KU98B2YD5VS5I3E/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>El cuerpo eterno, 1994. Metal madera algodon y fuego 30 x 48 x 21 cm. (11 x 18 x 8 in) Exhibited: 1995 La piel de la tierra. Museo de Arte Moderno, INBA, México, D.F. Catalogues: La piel de la tierra. Museo de Arte Moderno, México, D.F 1995. pp. 8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598214173136-IO883SFTZS39005GTZNV/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>Flor de río, 1994. madera 30 x 85 x 23 cm. (11 x 33.5 x 9 in) Exhibited: 1995 La piel de la tierra. Museo de Arte Moderno, INBA, México, D.F. Catalogues La piel de la tierra. Museo de Arte Moderno, México, D.F 1995. pp. 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598214208753-9P3C1277N65F6E1JV737/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>Fruto a punto de madurar, 1994/2023. From the series La Piel de la Tierra. Wood and gourds. 76 x 30 x 30 cm. Exhibited 1995 La piel de la tierra, Museo de Arte Moderno, México DF, and 1996 InKhan Gallery, New York. Catalogue: La Piel de la Tierra, Museo de Arte Moderno, México, DF 1995. pp. 13</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/cbbb3914-4506-473b-9aec-03bb8eb499b2/Untitled-3_1.jpg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>Autorretrato, 1994. Moldede madera para zapato y escobilla. Exhibited: 1995 La piel de la tierra. Museo de Arte Moderno, INBA, México, D.F. Catalogues: La piel de la tierra. Museo de Arte Moderno, México, D.F 1995.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5f5438f1-d1bb-4e12-bb33-439d1f86ba58/image.jpeg</image:loc>
      <image:title>Work - Sculpture</image:title>
      <image:caption>Consuelo, 2006 Linden wood, paint 147.3 x 76.2 x 53.3cm (58x30x21 in) Details: Exhibited 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City Catalogue 2005 Bonds of Love, essays by Lia Gangitano, Chris Kraus and Lisa Jaye Young. Designed by Alfalfa Studio, New York. For the exhibition at John Connelly Presents, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/intervention-indigo-j9mjy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1624986899982-6J3TKG5374Y211TUTTG3/Zancos+Oaxaca.001.jpeg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York - Transcomunalidad. Oaxaca, México, 2013. Zancos realizados en colaboración con artesan@s de Oaxaca. De izquierda a derecha: Zancos Velas de Concha: Petra Mendoza, Viviana Alaves, y Guillermina Ruiz. Zancos Columnas Novohispanas: Oscar Vázquez. Zancos Máscaras: Jesús Sosa Calvo y Juana Ortega Fuentes. Zancos Jícaras: Olegario Hernández. Zancos Jicalpextles: Petronio Vazquez. Zancos Vida y Muerte: Vicente Paul y Juana Venegas.</image:title>
      <image:caption>Intervention: Indigo, 2015. Bushwick, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1625614351340-34FDYGCISZDBZ7E84FNE/Oaxaca+2555_sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York - With the Brooklyn Jumbies. Teotitlán, Oaxaca., 2012</image:title>
      <image:caption>Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/72ebd9ad-0638-4104-b684-c177c7fbb5c3/Oaxaca+4009+copy+2.JPG</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Festivities for San Pedro, Zaachila, Oaxaca, 2012. The Brooklyn Jumbies with Los Zancudos de Zaachila. Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/611709fb-632c-4b9a-ac66-2bec47b3372e/FOT_8124.JPG</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Performance for San Pedro festivities, Zaachila, Oaxaca, 2011. The Brooklyn Jumbies with Los Zancudos de Zaachila. Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/21a2a477-d513-48e8-99b7-7d8e0a9cb955/FOT_8102.JPG</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Performance for San Pedro festivities, Zaachila, Oaxaca, 2011. The Brooklyn Jumbies with Los Zancudos de Zaachila. Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/56f6c646-c73b-4168-b0a4-503750810c01/FOT_6415.JPG</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Processions for San Pedro, Zaachila, Oaxaca, 2011. Los Zancudos de Zaachila and The Brooklyn Jumbies. Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/3b65b876-7daf-4923-8ec4-eecbd2efe808/Jamaica.jpg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Spontaneous Intervention, Mercado Jamaica, CDMX, 2011. The Brooklyn Jumbies. Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5834b362-5ef2-444e-bcdd-4cb969a7c935/_DSC0323-1.jpg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Festival Ma (yo) Celebrando las Culturas Afrodescendientes de Oaxaca, 2011. The Brooklyn Jumbies and Los Zancudos de Zaachila. Photo: Pablo Aguinaco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/a1691307-2b3d-420d-aac5-40440259cf70/FOT_4141.jpg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Spontaneous Intervention, Mercado Jamaica, CDMX, 2011. The Brooklyn Jumbies. Photo: Marco Pacheco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/55e4f1d2-a949-4c77-a95b-a57738645053/2_jirafas+y+zebras.jpg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Transcommunality. Performance in collaboration with the Brooklyn Jumbies and Amphibian Productions, 2008. The Modern Museum, Fort Worth. Photo: Gregory Ibañez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/9384e27c-42ac-41ee-921b-565689b08896/10_jumbies-1776sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2007-2011 Oaxaca and New York</image:title>
      <image:caption>Jumbie Camp, 2007. Street performance, in collaboration with The Brooklyn Jumbies and Galería Ramis Barquet. Chelsea, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/intervention-indigo-j9mjy-7g649</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1624910253644-FO993MEJMW9I02KXJLZ4/Cheese+Ball+Queen+%26+Red+Devils+2003a.JPG</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago - Cheese Ball Queen &amp; Red Devils. From the Spirit of Carnival, 2003. Queen portrayed by Crystal Folkes. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1624910009700-HFX1USG1FG73PP4VUYL9/2005_lab_4_31_sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago - Osebo´s Drums, MJ05, 2005. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:title>
      <image:caption>Intervention: Indigo, 2015. Bushwick, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1629308970480-6B87W96E7T8VU3FGNG0E/flag+costume+for+email.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago - TT Flag and Red Devils; The Spirit of Carnival, 2003. Flag portrayed by Sterling. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Headpieces courtesy of Lesley-Ann Noel. Photo: Stefan Falke</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1629308836964-JGU4AP9HD5EJ228WL65X/Cheese+Ball+Queen+2003.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago - Cheese Ball Queen; The Spirit of Carnival MJ03, 20013. Portrayed by Jasmine Thomas-Girvan. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:title>
      <image:caption>Intervention: Indigo, 2015. Bushwick, NY</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Scarlet Ibis section. Osebo´s Drum, MJ05, 2005. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/baa6b6db-9118-4e6d-8ef3-2be2def30de4/lab_1_19sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Scarlet Ibis and Shaggy Jumbie sections. Osebo´s Drum, MJ05, 2005. Keylemanjahro School of Arts and Culture, Junior Carnival, Port of Spain, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1b3855ec-83b1-427d-a579-ac854e8b3d44/lab_5_38.smjpg.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Queen Nyame, portrayed by Krystal Folkes. Osebo´s Drum, MJ05, 2005. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/efd30938-5bd5-4495-8c63-0d71c5e67981/202+3.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Preparing for Junior Carnival 2004. Birth and Rebirth, MJ04. Bug King and Bat portrayed by Barrow. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/9408f8db-e765-45c9-ae36-c2699fd7ad26/l%3Bab_1_35sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Scarlet Ibis and Bat, portrayed by Barrow. Osebo´s Drum, MJ05, 2005. Keylemanjahro School of Arts and Culture, Cocorite, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/27c1523e-086d-4a38-ad3b-45b9944b00de/215.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Rhia as Batimamselle Queen, for Birth and Rebirth, MJ04, 2004. Keylemanjahro School of Arts and Culture, Junior Carnival, Port of Spain, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/bba40096-875b-4705-9a70-3df4a8bc1a3a/lab_2_14sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Quetzalcoatl the Plumed Serpent, The Spirit of Carnival, MJ03, 2003. Keylemanjahro School of Arts and Culture, Junior Carnival, Port of Spain, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/14a0612c-ce54-4c66-8e97-dd0966c25c4b/lab_1_25sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Zebra section; Osebo´s Drums, MJ05, 2005. Keylemanjahro School of Arts and Culture, Junior Carnival, Port of Spain, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/529d1acb-009e-44f1-a3a5-ab4f3d69482b/_DSC0069sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>Dancing to Africa, 2006. Keylemanjahro School of Arts and Culture, Junior Carnival, Port of Spain, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1e353fef-0ea2-4eb2-a190-4699c038ae95/_DSC0156sm.jpg</image:loc>
      <image:title>Work - Transcommunality 2002-2006 Trinidad and Tobago</image:title>
      <image:caption>The Zarma and Palm section. Dancing to Africa, 2006. Keylemanjahro School of Arts and Culture, Junior Carnival, Port of Spain, Trinidad and Tobago. Photo: Stefan Falke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/installations-44rdb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601152769931-FRLRQOKBLS76ZNGXAYZ3/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Epítome o modo fácil de aprender el idioma nahuatl (detail), 1996 62 figures of wax from Campeche with human teeth and hair on bamboo structures with rope. Dimensions variable. Installation view, VI Bienal de La Habana, Casa de México, Habana, Cuba. Exhibited: Museo de Arte Moderno, CDMX; Museo Kiscelli, Budapest; Fundación Telefónica. Madrid, Spain, among others</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601155767624-AO3G5247EXAQHAO29LQE/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Consuelo, 2002 DVD Projected onto religious statue 00:07:00 Loop Total dimensions variable Installation view, Ex-Santa Teresa Arte Actual, México D.F. Exhibited: 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. 2003 Laura Anderson Barbata. Museo Kiscelli, Budapest, Hungría 2004 St. John the Divine Cathedral, New York Catalogues: Terra Incognita. Ex-Teresa Arte Actual México, DF and Ramis Barquet Gallery, New York 2002. Pp. 62-63 Laura Anderson Barbata. Kiscelli Múzeum Templomtér. Budapest, Hungary. 2003 pp. 16-17</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601156030826-JQ3ZH492UU4EQPKCUSU8/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Remedios, 2006 Malasia paraffin-wax 180 x 64 x 44 cm. Installation view, Galería la Refaccionaria, Mexico D.F. Exhibited: 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/7a865867-b5e3-42d4-ba9e-445b455a6831/blabla1.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Historia de las plantas de Nueva España, 1996-1997. Wood, candles, encaustic. Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/a4394d20-dcc3-4dbc-a7c4-deed51621b1c/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Intervention: Wall Street 20116 large scale business suits, and 1 real size woman´s business suit. Assorted fabrics.Constructed in collaboration with Manuela Morales, New YorkDimensions of individual pieces: 350 x 79 x 53.5 cm (can vary)Total dimension of installation variablePerformed:First version, Intervention: Wall Street,2011 New York Financial District. Portrayed by the Brooklyn Jumbies with Laura Anderson Barbata. Exhibited:2012-2017 Transcommunality-Transcomunalidad, Laura Anderson Barbata, in various museums in Mexico and the US. Among them: Museo Textil de Oaxaca, Museo de laCiudad de Monterrey, CONART Monterrey, BRIC Brooklyn, University of Wisconsin,Cornel Museum Florida, Rutgers University. Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601152777984-CBEJERZDCU0Y88L40MCS/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601153311110-NKIE1O0JYP9OP7EI8IDB/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>¿Qué tiene que ver la piel, el pelo, la pluma, la madera con el jaguar, brujo, mago, sabio? 1998 Handmade paper using the New Testament in Spanish, Ye´Kuana, Yanomami, Ashuar, Maya and Quechua. Dimensions variable. Exhibited: Offenes Kulturhaus, Linz, Austria; Columbia College Chicago Center for Book and Paper Arts, Chicago, IL; Sotheby´s New York. Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601156071745-0SQJHOTBW1YIH1BZV0TD/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Remedios, 2006 Malasia paraffin-wax 180 x 64 x 44 cm. (70 x 25 x 17 in) Installation view, Galería la Refaccionaria, Mexico D.F. Exhibited: 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d46fa02e-33e4-43d9-9679-b85804e1262f/LAB+WORKS+3.jpg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/52cc1cc8-542c-4898-a26b-61bb520acd33/Untitled+7+sm.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Historia de las plantas de Nueva España (detail for performance), 1996-1997. Wood, candles, encaustic. Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/508a01b0-9aeb-4b60-9b52-badc88e70e48/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Tours and Revolutions, 2001 Industrial carpet 106 x 152 cm (42 x 60 in). Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA among others</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/12924dfb-eb93-431a-b483-ebee1317ed5f/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Wall Street Bulls 2013 large scale business suits, assorted fabrics with cardboard headpieces, paintConstructed in collaboration with Manuela Morales, New YorkDimensions of individual pieces: 350 x 79 x 53.5 cm (can vary)Total dimension of installation variablePerformed:First version, Intervention: Wall Street,2011 New York Financial District. Portrayed by the Brooklyn Jumbies with Laura Anderson Barbata.Exhibited:2016-2017 Carnival and Masquerades in a Worldwide Perspective. Nationaal Museum van Wereldculturen, and Afrika Museum, Berg en Dal, The Netherlands (November 11th-March 26th 2017) Photo: Stefan Hagen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601153334886-TOUVOJDKMR0SRGY0KI19/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601155771291-MCJUEGF547JW7AZ6UNU3/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Legal but Illegitimate, 2001. Wood desks, video surveillance cameras, projector, leather and aluminum. Total dimensions variable. Installation view, Freedman Gallery, Albright Center for the Arts, Reading, Pennsylvania.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601156042446-4M51SMLIPO3L2YYIHIF8/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Remedios, 2006 Malasia paraffin-wax 180 x 64 x 44 cm. (70 x 25 x 17 in) Installation view, Galería la Refaccionaria, Mexico D.F. Exhibited: 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City. Catalogue: 2005 Bonds of Love, essays by Lia Gangitano, Chris Kraus and Lisa Jaye Young.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/4876f3fd-372f-44c7-b93c-814572fab8c2/LAB+WORKS+1.jpg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/0cb47591-efd6-4ce9-8090-ea104e99bba3/dsc_0018.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Installation view: Museo Kiscelli, Budapest, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/28a474c3-6966-4a41-9fcf-091356399794/Historia+de+las+plantas+de+Nueva+Espa%C3%B1a_Page_1.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Historia de las plantas de Nueva España, 1996-1997. Brochure and text to accompany installation. III Bienal de Monterrrey, Museo de Monterrey, México. 1997</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b4833386-7738-4910-906f-299d993c5273/LAB+WORKS+2.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>LAB works. Project installation at CAA7. 2002. Laventille, Port of Spain, Trinidad and Tobago</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/81e0a7c2-8fa6-4d06-bd07-16fdf57914d4/LAB+WORKS+4.jpg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/9b9393fc-1e2b-4ff2-8476-c3391639feaf/dsc_0019_1.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Installation view: Museo Kiscelli, Budapest, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/ddf9920e-40e1-4b4a-b56d-f35abbc0b1ff/Archivo+X+sm.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Archive X, 1998 Handmade paper using the New Testament in Spanish, Ye´Kuana, Yanomami, Ashuar, Maya and Quechua, on bamboo structure. Dimensions variable. Exhibited: In The Order of Caos, Dieu Donne Papermill, 1996; Centrum fur Gegenwartskungst, Oberosterreich; Linz, Austria, 1998. Publications: Archive X Investigations of Contemporary Art. Essay by Elke Krassny, Centrum fur Gegenwartskungst, Oberosterreich; Linz, Austria, 1998. pp. 135; Kunstforum, Bd. 142. Stein, Axel. "Amazonien Alphabet", Lebenskunstwerke (LKW), Oktober-Dezember 1998, pp. 80-89; Terra Incognita, ensayo de Ilona Katzew, Ex-Teresa Arte Actual México, DF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/728e3357-9fd8-4d06-817b-db76410079b3/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>El que se fué a la Villa…, 2001 Wood, chairs, paint, gold leaf 231 x 73 x 73 cm (91 x 29 x 29 in). Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1c659115-3cc6-4c45-957b-4a492b321cea/LAB+WORKS+5.jpg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/31f072fa-ec5a-4f68-93b6-78f6a456f440/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Yo no soy digno de que vengas a mi, pero una palabra tuya bastará para sanar mi alma, 1996 46 engraved pearls with the names of the Indigenous languages spoken today in Venezuela, cotton thread, and gesso ear in sheetrock wall 15 x 10 cm (6 x 4 in) Total dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/019d1254-f7b2-4eff-bbb1-28ec2d9a473a/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Terra Incognita, (detail), 2001 Chairs, taxidermy pigeons, wax, encaustic, golden crown, monitors, video loop 231 x 250 x 300 cm (91 x 98 x 118 in). Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1653224f-e328-4b0f-9f1a-14c8db20b576/Historia+de+las+plantas+de+Nueva+Espa%C3%B1a_Page_2.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Historia de las plantas de Nueva España, 1996-1997. Brochure and text to accompany installation. III Bienal de Monterrrey, Museo de Monterrey, México. 1997</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b39e8545-cd5d-4919-b2a7-4439aebc0d0d/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>You Can't Read a Book By Its Cover, 1997 Wood hand, engraved pearl and wax 2 x 2.5 x 5 cm (3/4 x 1 x 2 in)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/4f93c383-1c43-4c42-8b0e-6a489dc4c194/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Wishing Bone Reliquary (detail), 2001 Wood, 22k gold, surveillance camera 165 x 22 cm (65.5 x 8.9 in). Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/aa16267e-42cf-4635-a9f8-42480cf02f0f/Library+shelf.jpg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/2e9fa142-e67e-4a66-b14a-e3ec3100c69a/Historia+de+las+plantas+de+Nueva+Espa%C3%B1a_Page_3.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Historia de las plantas de Nueva España, 1996-1997. Brochure and text to accompany installation. III Bienal de Monterrrey, Museo de Monterrey, México. 1997</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1e08df75-5020-4733-aaec-70d5ed8a3b80/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Legal but Illegitimate (detail), 2001 Wood tables, video surveillance camera, projector, leather, aluminum and pigments. Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b57cdae2-ed33-41a9-9f9a-bb420696e181/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>El puente. Autorretrato, 2001. Wood, rope, fiberglass. Total dimensions variable. Exhibited: X-Teresa Arte Actual; Freedman Gallery, Albright Center for the Arts, Reading PA. Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/052539d4-ec3c-4263-9b2d-742ed365c590/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Oneness and Separateness, 2001 Wood bench, taxidermy pigeons, wax, paper and wood 90 x 100 x 50 cm (35.5 x 40 x 20.5 in). Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/a9376565-75e4-4987-a894-6939df29eefd/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>El viaje. Autorretrato, 1996. Total dimensions variable. Carved canoe, wax figures, corn, plexiglass over paper and dry flowers. Exhibited at Dieu Donne, New York; Museo de Arte Moderno, Mexico DF; Kiscelli Múzeum, Budapest; Landesbank-Baden-Würtenburg, Germany; Sala Mendoza, Caracas, Venezuela, among others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d64537d3-e9e5-4439-9c39-1954e920c5ed/LAB+WORKS+6.jpg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>LAB work was an extension of GRAS Papermaking and library project in Grand Riviere, TT (initiated in 2001). The installation included the research conducted by the project: samples of fibers utilized and examples of paper made from each fiber, as well as examples of recycled paper and prints created by the participants. The exhibition invited attendees to bring a book to donate to a library for the residents of Grande Riviere. The exhibition also held papermaking and printmaking workshops led by the youth participating in GRAS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5ab517f5-e205-47d0-9ead-b68cbfa3dec0/image.jpeg</image:loc>
      <image:title>Work - Installations</image:title>
      <image:caption>Autorretrato, 2001 Mechanical plastic bird, paper, wire and resin. 12 x 43 x 22 cm (5 x 17 x 9 in). Exhibited: Tours and Revolutions, Freedman Gallery, Albright Center for the Arts, Reading PA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e56a4f56-5a06-4615-b2ee-be19d8f371ca/Labwork+cards3.jpg+%281%29.jpg</image:loc>
      <image:title>Work - Installations</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/wildlife-44rdb-yhgr7-fr6a4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601164713509-PZ6D7YPQ29F9QM5J16GS/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Nuestra historia no se encuentra en un libro/Our History Is Not Found In a Book, 2001 Hand-woven hammocks, ribbons with text and red cedar mulch 18 x 54 x 194.5 ft. Installation view. Neuberger Museum of Art 2001 Biennial for Public Art. Catalogue: Catalogues Neuberger Museum of Art, 2001 Biennial Exhibition of Public Art, Purchase College, State University of New York. Essay by Eleanor Heartney, pp 6, 10, 11.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601163198210-S9XAN045G205ACJ0BY86/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Gone From the Path Direct, 2000 multicolor rose petals and paper Installation view. Dante Park, New York City. The work was commissioned by Nathan Cummings Foundation and exhibited in conjunction with the exhibition: Environmentally Concerned Exhibited 2000 Dante Park, New York City</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601161465472-KZJ7WX0RO2WVOMBC6RI9/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Traces of Infinity. Trazos del Infinito I, 1999; path of multicolor roses and paper Installation view. Wave Hill, Bronx, New York. Catalogue: Traces of Infinity", essay by Cecilia Fajardo, translation: Rowena Hill; Galeria Ramis F. Barquet, New York; Wave Hill, Bronx, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601164744600-ZJ5SUAQQM2GMKDLXD3DE/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Nuestra historia no se encuentra en un libro/Our History Is Not Found In a Book, 2001 Hand-woven hammocks from Mexico were placed in the area between the library and the Museum of Purchase College, with access to visitors 24 hours. During Museum hours, ribbons and markers were offered to visitors for them to write their thoughts and messages while they relaxed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601161473981-HOL7JV4YGJKPJCCEPN55/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>During a 6 month residency at Wave Hill, I worked with immigrants from Mexico who work in the flower district of New York. We collected discarded flowers daily and removed the petals and dried them in the studio. We also prepared paper cut in petal shapes to mix with the flowers to give the paths a longer life span. They were paid daily an artist fee for their work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601164727147-TG08AUZKTLNR3CO2QN42/1476877913_TJzoL086o9N8.jpg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Nuestra historia no se encuentra en un libro/Our History Is Not Found In a Book, 2009. Installation view at Wave Hill, the Bronx, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601161487524-V7HKZHLQOHE1T2W6G7EG/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Temporal Displacement/Desplazamiento Temporal. Double sided mirror interruption in path of delphinium petals and paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601161990268-1XEX8C1U7G91ADKLSGVG/LA_ny_traces7.jpg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Working with science high school students from the Bronx, we created an installation to pay homage to their personal histories and the countries where their ancestors came from.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601162009898-4TAOGTI50283S5WFY1LV/LA_ny_traces4.jpg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>With the science students, we used stems from the discarded flowers used to cover the paths to create small houses that we placed on trees. The work reflects on the meaning of home and our place in our family tree.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601162014668-7YC9N57B2WMVUOC61QOW/LA_ny_traces3.jpg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>With the science students, we gathered cut logs that were in the area to create spaces to sit and reflect. We researched the number of languages spoken in the Bronx and with encaustic paint we wrote the names of languages on sides of the logs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601162026767-T6TKO6V6F1EBN71WNVFV/LA_ny_traces2.jpg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>We recorded the sounds of the area during different times of the day, and Mexican composer Ana Lara, transcribed on to music sheets these sounds. The music stand was placed where the recordings took place. Facing the music stand a large conical shaped net collected the leaves that fell from the trees for the duration of the exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1601162570735-LW7T0OVKA8OVMW6NZIUZ/image.jpeg</image:loc>
      <image:title>Work - Public Installations</image:title>
      <image:caption>Whose Name Is Not Pronounced/Aquel cuyo nombre no es pronunciado. The native languages that were originally spoken in the area (now lost) are written on mesh over cut trees we encountered along the paths.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/coast-95bjx-k4w7y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568308841-LA9HZCZXDFFFOTDUC7N0/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Cover and back cover. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568357139-YJHA1JDJA9SA9FKLF1WO/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568537581-LFNN7I658OMK66DKLL29/JP+cover+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Cover. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/a81a5e81-150d-4ecd-b766-235dd52ccb8d/portada_contra_color_med.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Purgatory, 2016. Zine 3, Ed. 501. Front and back cover Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/4c78e588-46e0-44d9-a8c5-0545f70636ad/portada_06.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>The Beauty Issue, 2017. Zine 4, Ed. 500. Front and back cover. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568537581-LFNN7I658OMK66DKLL29/JP+cover+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Cover. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568374838-TMO3VRGREE7RCZLG8VO0/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Purgatory, 2016. Zine 3, Ed. 501. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568662046-1FXZFNSDBRFKJ5CKCY1C/JP+Zine+2+collage+libros+quotes+02.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568308841-LA9HZCZXDFFFOTDUC7N0/image.jpeg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Cover and back cover. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/7c1da8fd-de9c-45d8-909f-b5b12f449982/poema_eco_04sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>The Beauty Issue, 2017. Zine 4, Ed. 500. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568548673-YOJADRSWYJRXAHYL10S4/40tipos+nueva+final.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Interior page. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568622702-3Q9UEP5OSYKDJ1WW2U8M/JP+zine+2+bibliografia.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Bibliography, interior double page spread. Created in collaboration with Erik Tlaseca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568548673-YOJADRSWYJRXAHYL10S4/40tipos+nueva+final.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Interior page. Created in collaboration with Erik Tlaseca and Jesús Fajardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/715e82f8-228a-413e-a84f-1b7ee3efa142/Intro+y+kristof.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Purgatory, 2016. Zine 3, Ed. 501. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/10c0cac5-d37f-4388-a39d-ddcedc6ea77a/MindMap_03sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>The Beauty Issue, 2017. Zine 4, Ed. 500. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568569189-H9GMSACJO8PFA70ZIY9R/encabezados+2.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Interior double page spread. Created in collaboration with Erik Tlaseca and Jesús Fajardo. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568569189-H9GMSACJO8PFA70ZIY9R/encabezados+2.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>How can I get to know you?, 2015. Zine 1, Ed. 350. Interior double page spread. Created in collaboration with Erik Tlaseca and Jesús Fajardo. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/dca6f358-2409-4f9a-aaf9-964ada363e3f/JP+Zine+3+Tenancingo+pg+smmm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Purgatory, 2016. Zine 3, Ed. 501. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d2a87f87-764e-4688-bbe5-635166c505b0/JP+zine+venas+cadaver+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>The Beauty Issue, 2017. Zine 4, Ed. 500. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568622702-3Q9UEP5OSYKDJ1WW2U8M/JP+zine+2+bibliografia.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Bibliography, interior double page spread. Created in collaboration with Erik Tlaseca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d16fe6f2-20af-43a1-a3b5-cfb20a6202ce/JP+zine+calaca+cadaver+sm.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>The Beauty Issue, 2017. Zine 4, Ed. 500. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598568662046-1FXZFNSDBRFKJ5CKCY1C/JP+Zine+2+collage+libros+quotes+02.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/ed985068-c7ac-41e8-92e4-dbf301c509d8/codice_01.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>The Beauty Issue, 2017. Zine 4, Ed. 500. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/085c45e6-4eb1-405c-881f-b453d8b003d6/JP+zine+6+baja_Page_01.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Front cover. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/fb042c71-3504-40ea-b111-1056309953e0/JP+zine+2+dead+things+02.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Eternity, 2016. Zine 2, Ed. 489. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/efee78c9-f73a-418e-b3b5-7d824c416398/JP+zine+6+baja_Page_03.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/46ce67a2-a122-4af9-a23f-f4c014418fec/JP+zine+6+baja_Page_04.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/74adde85-1bf6-457a-917d-0c1b00650a86/JP+zine+6+baja_Page_07.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/bfdf8183-a84d-442b-ad35-945af221a3f1/JP+zine+6+baja_Page_14.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e300d38a-4a24-49c0-9376-e67eff594281/JP+zine+6+baja_Page_13.jpg</image:loc>
      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Interior page. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption>Julia Pastranatzin Oyah ce Cahita Cihuatzintli, 2019. Ed. 270. Interior double page spread. Created in collaboration with Erik Tlaseca. Risograph.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Julia Pastrana Zines</image:title>
      <image:caption />
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  <url>
    <loc>https://www.lauraandersonbarbata.com/work/theatre</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2024-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/339588e4-d845-4b42-b633-38ad92e84110/Copy+of+JuanGarcia_Promo_EMW-05023-min.jpg</image:loc>
      <image:title>Work - Theatre</image:title>
      <image:caption>The Amazing, Fabulous, and Spectacular Untruths of Juan García, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e483b0c6-f2a5-4412-9bd2-5498ed1e4dc3/DSC01896+sm.jpg</image:loc>
      <image:title>Work - Theatre</image:title>
      <image:caption>Marie Antoinette, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598208254638-L7VGW6TQ0STPSF0SF2KC/DPW_7239.jpg</image:loc>
      <image:title>Work - Theatre</image:title>
      <image:caption>The Quixotic Days and Errant Nights of the Knight Errant Don Quijote. 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598207995463-NU2EIEPG02G38ZQUESTO/Florencia+en+el+Amazonas_Costume+Mosaic_MG_3057.jpg</image:loc>
      <image:title>Work - Theatre</image:title>
      <image:caption>Florencia en el Amazonas. 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598209334617-KRXVLI42X5EP5YP000XC/FirstCom_715_C.jpg</image:loc>
      <image:title>Work - Theatre</image:title>
      <image:caption>Companionship. 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1598209238120-VUGT9JJEEJ61FYKGMON7/Leonce%2Band%2BLena%2Bphotos%2BStefan%2BFalke_Page_1.jpg</image:loc>
      <image:title>Work - Theatre</image:title>
      <image:caption>Leonce and Lena. 2003</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/intervention-wallstreet-j9mjy-b62jb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/052c03d2-a389-4957-ba0b-4ca1a8c298b1/Jumbies_Occupy_Wall_St._11-18-11_frankveronsky.com-6025.jpg</image:loc>
      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>The Brooklyn Jumbies and Laura Anderson Barbata. Intervention: Wall Street, 2011. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/318bf286-7b26-4cf6-98af-85c4a30fe804/image-1.jpeg</image:loc>
      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>Wall Street Bulls, 2013. Assorted fabrics with cardboard headpieces, paint. Suits in collaboration with Manuela Morales. Individual: 350 x 79 x 53.5 cm. Total dimension of installation variable. Performed: 2013. Exhibited: 2016-2017 Carnival and Masquerades in a Worldwide Perspective. Nationaal Museum van Wereldculturen, and Afrika Museum, Berg en Dal, The Netherlands.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/14da7621-0fdf-48b0-995d-ca8f1b9defbd/_MG_6176.jpg</image:loc>
      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>Laura Anderson Barbata. Intervention: Wall Street, 2011. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1616167147704-L287OF8PUP2K9C19NUGG/slide_360900_4041603_free.jpg</image:loc>
      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>Intervention: Wall Street, 2011. Installation view BRIC. Six large scale Jumbie business suits and one real scale female business suit. Assorted fabrics. Constructed in collaboration with Manuela Morales, Approximate dimensions of individual large scale suits: 350 x 79 x 53.5 cm, total dimensions of installation variable. Performed 2011 in the New York Financial District, portrayed by the Brooklyn Jumbies and Laura Anderson Barbata. Installation and video exhibited: Exhibited: 2012-2017 Transcommunality- Transcomunalidad, Laura Anderson Barbata. Various museums in Mexico and the US. Among them: Museo Textil de Oaxaca; Museo de la Ciudad de México; CONART Monterrey; BRIC Brooklyn; University of Wisconsin; Cornell Fine Arts Museum; Rutgers University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/48097b2c-361c-4e30-9e7e-80350b5fd176/jumbies_OWS_frankveronsky.com-6131.jpg</image:loc>
      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>The Brooklyn Jumbies, Terrell Leacock Ali Sylvester. Intervention: Wall Street, 2011. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/89d67b6f-e73f-45da-a2b4-0f927a40c8f0/12_BARBATA.LEEPER.ALFOND_8.jpg</image:loc>
      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>Intervention: Wall Street, 2011. Installation view Cornell Fine Arts Museum, Orlando. Six large scale Jumbie business suits and one real scale female business suit. Assorted fabrics. Constructed in collaboration with Manuela Morales, Approximate dimensions of individual large scale suits: 350 x 79 x 53.5 cm, total dimensions of installation variable. Performed 2011 in the New York Financial District, portrayed by the Brooklyn Jumbies and Laura Anderson Barbata. Installation and video exhibited: Exhibited: 2012-2017 Transcommunality- Transcomunalidad, Laura Anderson Barbata. Various museums in Mexico and the US. Among them: Museo Textil de Oaxaca; Museo de la Ciudad de México; CONART Monterrey; BRIC Brooklyn; University of Wisconsin; Cornell Fine Arts Museum; Rutgers University.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - Intervention: Wall Street</image:title>
      <image:caption>The Brooklyn Jumbies. Intervention: Wall Street, 2011. Photo: Frank Veronsky</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/oceancalling-tba21-x2mcw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/2e1de551-1a31-4c30-9cae-ae2e07228a62/un_oceans_summit_project_laura_anderson_barbata-8090-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling Queen. Portrayed by Jahde Huntley. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/363055eb-34db-4708-80af-9ea9099e91a0/un_oceans_summit_project_laura_anderson_barbata-9048-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Jumbie Prince and Jumbie King. Portrayed by Keil Alibocas and Najja Codrington. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b2550446-c2fb-4e08-b9b8-271c949f875b/IMG_4776+copy+2.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/9fbd1ff3-6a56-488b-8e09-c7bce40315a1/ocean_calling_performance_at_the_un_laura-anderson-barbata_6-8-17_proof-9699_res150.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling, 2017. United Nations Plaza, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1c1f68fd-2982-48d4-b8ce-5c63a65bcf0f/10_IMG_9647.jpeg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Installation view of Ocean Calling Queen and Bird Fish Prince (both from the series Ocean Calling) in the exhibition: The Oceanic, 2018, at the NTU Centre for Contemporary Art Singapore. Curator: Ute Meta Bauer. In the same gallery on the left, prints by South African-New Zealand artist Newell Harry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/05ccec9a-97a8-49b6-b272-a71991795f38/un_oceans_summit_project_laura_anderson_barbata-8088-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling Queen. Portrayed by Jahde Huntley. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e0406198-bccf-42e3-a021-472ae6489bb9/IMG_4619+copy+2.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/11d5c00b-8d06-46d0-ab98-1e8a3aaff5ea/ocean_calling_performance_at_the_un_laura-anderson-barbata_6-8-17_proof-0193_res150.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling, 2017. United Nations Plaza, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/75fc5565-c3c7-4a32-9bbf-b253e997594d/un_oceans_summit_project_laura_anderson_barbata-8880-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Bird Fish Prince. Portrayed by Chris Walker. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b340af7b-47d5-422f-925c-09062c4254cf/un_oceans_summit_project_laura_anderson_barbata-8713-frankveronsky.com.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Water Spirit. Portrayed by Chris Walker. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/eba3d0ff-3725-4529-885a-a9591845db6f/IMG_4645+copy+2.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/cec283f2-119b-4b2c-a4ad-fa8d44b04712/ocean_calling_performance_at_the_un_laura-anderson-barbata_6-8-17_proof-0607_res150.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling, 2017. United Nations Plaza, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/bd82d82f-387f-40ee-9cc3-b31af7309855/un_oceans_summit_project_laura_anderson_barbata-8583-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Jumbie Handler. Portrayed by Primus Konate. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/110fe375-1521-4cd1-9934-960f5c74a8dd/un_oceans_summit_laura_anderson_barbata-9246-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Snail. Portrayed by Candace Thompson. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/2a474090-f764-4806-a46b-5e25108778d6/IMG_4669+copy+2.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/64b99b65-a701-49a7-84c3-38fa0449859a/un_oceans_summit_project_laura_anderson_barbata--8241-40cm.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Coral. Portrayed by Mei Yamanaka. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b423ee30-9a66-40d0-943f-6120444b8819/ocean_calling_performance_at_the_un_laura-anderson-barbata_6-8-17_proof-9939_res150.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling, 2017. United Nations Plaza, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/bb5ff449-b9d9-4af9-b4bd-9eb075caa95a/ocean_calling_performance_at_the_un_laura-anderson-barbata_6-8-17_proof-9719_res150.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling, 2017. United Nations Plaza, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/8863c28a-8157-40c5-8f09-b7369a532091/IMG_4886+copy+2.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/04cf802b-ce74-43a7-a36f-aa5df360fecd/IMG_5278+copy.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/92de3ce4-4149-4095-945e-6401cb052217/TBA21+Paint+Jamaica+email+portfolio+sm+jpg_Page_05.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/4c671d07-8d82-4cb2-ba29-04cadfdee015/TBA21+Paint+Jamaica+email+portfolio+sm+jpg_Page_07.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>What-Lives-Beneath, 2016. Kingston, Jamaica. Photo: Wade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/833f9ff0-ea1c-47e1-b91d-2f0adb70cf59/ocean_calling_performance_at_the_un_laura-anderson-barbata_6-8-17_proof-9739_res150.jpg</image:loc>
      <image:title>Work - Ocean Calling and What-Lives-Beneath TBA21</image:title>
      <image:caption>Ocean Calling, 2017. United Nations Plaza, NY. Photo: Frank Veronsky</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/videos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-28</lastmod>
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  <url>
    <loc>https://www.lauraandersonbarbata.com/work/performance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/238a7321-70ba-4174-a4b5-e37f94297347/No-tengo-quien-me-ayude-en-casa+0.jpeg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>No-tengo-quien-me-ayude-en-casa, I-Get-No-Help-Around-The-House, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO Exhibited 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. (video of performance exhibited) 1996 No-tengo-quien-me-ayude-en-casa Museo Arte Contemporaneo de Monterrey, MARCO. Monterrey, México Catalogue 1998 In the Order of Chaos/En el orden del Caos, essays by Elizabeth Ferrer, Irvin Tepper, Francisco Diaz, Axel Stein, Itala Scotto-Dominguez, translations by Kathleen A. Milne; The Austin Museum of Art, Austin, Texas; Galeria Ramis Barquet, New York, New York. pp. 24-25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/68fe4c2e-ef48-40c1-bf2d-c4e915c6ccb8/A_No-tengo-quien-me-ayude-en-casa.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>No-tengo-quien-me-ayude-en-casa, I-Get-No-Help-Around-The-House, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO Exhibited 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. (video of performance exhibited) 1996 No-tengo-quien-me-ayude-en-casa Museo Arte Contemporaneo de Monterrey, MARCO. Monterrey, México Catalogue 1998 In the Order of Chaos/En el orden del Caos, essays by Elizabeth Ferrer, Irvin Tepper, Francisco Diaz, Axel Stein, Itala Scotto-Dominguez, translations by Kathleen A. Milne; The Austin Museum of Art, Austin, Texas; Galeria Ramis Barquet, New York, New York. pp. 24-25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/13416232-abe2-44ea-8a11-531d22708e6a/B_No-tengo-quien-me-ayude-en-casa.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>No-tengo-quien-me-ayude-en-casa, I-Get-No-Help-Around-The-House, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO Exhibited 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. (video of performance exhibited) 1996 No-tengo-quien-me-ayude-en-casa Museo Arte Contemporaneo de Monterrey, MARCO. Monterrey, México Catalogue 1998 In the Order of Chaos/En el orden del Caos, essays by Elizabeth Ferrer, Irvin Tepper, Francisco Diaz, Axel Stein, Itala Scotto-Dominguez, translations by Kathleen A. Milne; The Austin Museum of Art, Austin, Texas; Galeria Ramis Barquet, New York, New York. pp. 24-25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/2f5c7536-c727-49e1-9f96-abb8887d354a/C_No-tengo-quien-me-ayude-en-casa.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>No-tengo-quien-me-ayude-en-casa, I-Get-No-Help-Around-The-House, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO Exhibited 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. (video of performance exhibited) 1996 No-tengo-quien-me-ayude-en-casa Museo Arte Contemporaneo de Monterrey, MARCO. Monterrey, México Catalogue 1998 In the Order of Chaos/En el orden del Caos, essays by Elizabeth Ferrer, Irvin Tepper, Francisco Diaz, Axel Stein, Itala Scotto-Dominguez, translations by Kathleen A. Milne; The Austin Museum of Art, Austin, Texas; Galeria Ramis Barquet, New York, New York. pp. 24-25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b96569e1-12e1-41ea-944f-c973d510138d/E_No-tengo-quien-me-ayude-en-casa.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>No-tengo-quien-me-ayude-en-casa, I-Get-No-Help-Around-The-House, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO Exhibited 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. (video of performance exhibited) 1996 No-tengo-quien-me-ayude-en-casa Museo Arte Contemporaneo de Monterrey, MARCO. Monterrey, México Catalogue 1998 In the Order of Chaos/En el orden del Caos, essays by Elizabeth Ferrer, Irvin Tepper, Francisco Diaz, Axel Stein, Itala Scotto-Dominguez, translations by Kathleen A. Milne; The Austin Museum of Art, Austin, Texas; Galeria Ramis Barquet, New York, New York. pp. 24-25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/acac33d2-e045-490b-b0fa-2bfbc8af838b/No-tengo-quien-me-ayude-en-casa+1.jpeg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>No-tengo-quien-me-ayude-en-casa, I-Get-No-Help-Around-The-House, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO Exhibited 2002 Terra Incognita/Proyecto Intervenciones Sociales. Ex Teresa Arte Actual, México, D.F. (video of performance exhibited) 1996 No-tengo-quien-me-ayude-en-casa Museo Arte Contemporaneo de Monterrey, MARCO. Monterrey, México Catalogue 1998 In the Order of Chaos/En el orden del Caos, essays by Elizabeth Ferrer, Irvin Tepper, Francisco Diaz, Axel Stein, Itala Scotto-Dominguez, translations by Kathleen A. Milne; The Austin Museum of Art, Austin, Texas; Galeria Ramis Barquet, New York, New York. pp. 24-25</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5f0cb29c-0bfa-47aa-8172-726ab8041bc1/1476879443_iN4pUDq6yP.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Buscando el lugar donde nuestras lenguas se encuentran, 2000 Boreal Art-Nature, Residency Program. Quebec, Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5b234ba0-df29-420c-8ada-10a42e8217e4/1476879401_lKvi9n48Jii.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Boca del cielo, 2002 La Semilla Azul and Boreal Art-Nature residency program, Chiapas, Mexico Performed: 2002 La Semilla Azul and Boreal Art-Nature, Chiapas, Mexico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/4d66033b-be8e-4606-98f6-baa33d488385/Brochure+no+tengo+quien+me+ayude+en+casa+pag+2.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Brochure (insert) distributed during performance. No-tengo-quien-me-ayude-en-casa, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/0719901a-7779-49da-ad0d-88f280e11222/1476879451_IkD9OPIBcF1k.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Buscando el lugar donde nuestras lenguas se encuentran, 2000 Boreal Art-Nature, Residency Program. Quebec, Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/1ed884ea-1bff-4356-8146-1cbcbbe764be/1476879293_BKIBEwCUEFMH.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Boca del cielo, 2002 La Semilla Azul and Boreal Art-Nature residency program, Chiapas, Mexico Performed: 2002 La Semilla Azul and Boreal Art-Nature, Chiapas, Mexico</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/3bd38e48-fb46-45a1-a0b9-e9a0d21404e3/No+tengo+quien+me+ayude+en+casa+brochure+pg+3-4.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Brochure distributed during performance. No-tengo-quien-me-ayude-en-casa, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/5a628c98-83e5-45c6-b51b-f56d334b2145/1476879460_Y6YMfvtGxjlC.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Buscando el lugar donde nuestras lenguas se encuentran, 2000 Boreal Art-Nature, Residency Program. Quebec, Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b3a658a2-ef5c-4d96-8d23-a20e6d9fd4be/brochure+no+tengo+quien+me+ayude+back.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Brochure (insert back) distributed during performance. No-tengo-quien-me-ayude-en-casa, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d9be5686-d9c4-4e8c-a9d4-71d4e262423a/Brochure+no+tengo+quien+me+ayude+en+casa+back.jpg</image:loc>
      <image:title>Work - Performance</image:title>
      <image:caption>Brochure (insert back) distributed during performance. No-tengo-quien-me-ayude-en-casa, 1996 approximate time: 15 minutes performance photo: Museo Arte Contemporaneo de Monterrey, MARCO</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/masks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/707ac676-ba70-43da-a79d-d74fa138b9d4/IMG_0679.jpeg</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Wear a mask!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/528c3b12-23e3-4d8a-b6ca-5c6e78a8adca/004_CO1_1335sm.jpg</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Make masks and give them away to those who need them. 2020-2021. Photo: Caitlin Ochs NYT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/e0522fa6-80ad-4244-a174-08915b15cb40/New_York_Corona_04_17_20_270.JPG</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Make masks and give them away to those who need them. 2020-2021. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/71434770-e743-44a1-8f7f-6855ada21dbf/New_York_Corona_04_17_20_176.JPG</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Make masks and give them away to those who need them. 2020-2021. Photo: Stefan Falke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/d9a820d8-5945-4aea-8faf-65c9a33cbf48/IMG_1082sm.jpg</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Among the partnerships built to distribute the masks: The North Bronx Collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/efcd2031-0dc9-4c5b-8d22-2065c5b69971/017_CO1_1523sm.jpg</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Among the partnerships built to distribute the masks: The North Bronx Collective, 2020. Photo: Caitlin Ochs NYT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/cd4da4a0-4759-46cb-a745-300c84a4066c/New_York_Corona_04_17_20_403.JPG</image:loc>
      <image:title>Work - Masks</image:title>
      <image:caption>Among the partnerships built to distribute the masks: Project Renewal, 2020. Photo: Stefan Falke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/project-four-5kpnx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.lauraandersonbarbata.com/work/yanomami-ow-mamotima</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/99e87044-fb22-4e47-80df-cea91755a253/photo+of+shapono+with+box.jpg</image:loc>
      <image:title>Work - Yanomami Owë Mamotima - Shapono</image:title>
      <image:caption>Title:                       Shapono                                                Author:                  Yanomami Owë Mamotima, papermaking and bookmaking project and the Escuela Intercultural Bilingüe Yanomami. Published and produced:  In Mahekototeri, State of Amazon in Venezuela  Project Period:                      March 1992 through December 2001 Medium:                waterbased inks on shiki and abaca paper. The book comes in a custom built clam shell box covered in imported red canapeta cloth and hot stamped in black with the name of the project and the project initiator.                      Size:      book: 12 1/2 x 9 inches with 6 interior pages, box: 14 x 9-3/4 x 2 inches. Printer:               Yanomami Owë Mamotima                                Papermaker:      Yanomami Owë Mamotima        Signed by:         Sheroanawë Hakihiiwe  (Juan Bosco) , Project Leader Project Director:  Laura Anderson Barbata Assisted by:         Yanomami Owë Mamotima Edition:                  50. Numbered and signed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/b3e237cf-db5c-4778-9ad4-d88c79f0504c/Yanomami+Owe+Mamotima.jpg</image:loc>
      <image:title>Work - Yanomami Owë Mamotima</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f00f04cf1b8f6079019df8c/af29bcbd-334b-45a4-8420-3bf90fa221b7/shapcov+copy.jpg</image:loc>
      <image:title>Work - Yanomami Owë Mamotima</image:title>
    </image:image>
  </url>
</urlset>

